Monday, January 17, 2011

Blog # 7


The three scholar pieces, Missiological Reflections on Nestorian Christianity in China during the Tang Dynasty by David Bundy, Daily Life in the Capital by Valerie Hansen, and Golden Peaches of Samarkand by Edward Schafer, although different, they all mention the influence of “others” on the Chinese culture, specifically, on the city of Chang’an in particular, during the Tang period.   
In order to understand each piece, I will break down each article and then draw a common conclusion for all.

The first article, Daily life in the Capital, focuses on the commercial as well as cultural exchanges that occurred in Chang’an, a major city in the Tang dynasty. At first the author explains the layout of the city, and then discuss the 2 major features of the city. This article as opposed to Bundy’s is more personal and gives to the reader a sense of what it was actually like living in Chang’an at the time.

The second article deals with the existence of Nestorian Christians in Tang China. It relied deeply on the teachings of its monks and Nestorian Christian life centered on the monasteries’ activities. The Nestorian Christians in China had accomplished much, however they failed to have a very profound impact in China and not much of a following compared to Buddhism and Manichaeism. The Nestorians left Mesopotamia and travelled East most likely because of being separated by the growing Islamic existence, which sidelined the other pre-existing traditions in the region.

The third article, Golden Peaches of Samarkand focuses on all the foreign contact experienced by the Chinese in the city of Chang’an during the Tang period through mainly commercial trade. The foreign contact ranges from the Tang Chinese’s trade with the Malayan Indians to Persians to the Japanese.  The author of this article mainly details the attitude of the Chinese faced by foreigners entering China, either by land or by sea

Monday, January 10, 2011

Blog # 6


Based on Sarah E. Fraser’s essay on “the Artist’s sketches and techniques of copying”, it is a remarkable piece into the pre-modern artistic practices.

The first type of drawing employed that she covers is preparatory sketches which are characterized by their absent anatomical detail and physical form.
The second type utilizes leap, which is a very smart way of duplicating a single image on multiple.
The Third type of drawing is a sketch that was done in preparation for paintings to be completed on silk.
The fourth type was utilized in religious practices and mandalas. The last type utilized was a practice sketch.
Overall, the cave sites at Dunhuang, based on Fraser’s reading, seem to have been a rich artistic community dedicated to the visual maintenance religious themes.
They were so great that Fraser claims that the artists at Dunhuang were commissioned and paid (via food or money) by local rulers and the Imperial army.
I found this reading interesting and mentioned the main points I captured.